Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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WEYDEN, Goossen van der
The Gift of Kalmthout

ID: 07238

WEYDEN, Goossen van der The Gift of Kalmthout
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WEYDEN, Goossen van der The Gift of Kalmthout


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WEYDEN, Goossen van der

Flemish painter (b. ca. 1465, Bruxelles, d. after 1538, Antwerpen)  Related Paintings of WEYDEN, Goossen van der :. | Portrait of Giovanni Arnolfini | The Naked Maja | Panorama du palais et des jardins de Versailles | Crossing the Plains | The Guard of the Whisky Trader (mk43) |
Related Artists:
Bierstadt, Albert
The landscape painter Bierstadt joined a surveying expedition to the western United States in 1858 after studying painting in Germany.
Charles conder
English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont
BASSANO, Leandro
Italian Mannerist Painter, 1557-1622 Son of Jacopo Bassano. He entered the workshop of his father when very young and soon developed a style of painting strongly based on drawing. Leandro used fine brushwork, with cool, light colours, smoothly applied in well-defined areas, unlike his father, who painted with dense and robust brushstrokes. From 1575 Leandro's participation in the workshop increased, and he became his father's principal assistant after Francesco Bassano il giovane moved to Venice in 1578.






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